Writers tend to watch movies with an eye toward story. I often think the ultimate test of a movie’s quality is whether it would make a decent novel. By that standard, Silver Linings Playbook (adapted from a novel) scores a touchdown—an apt analogy given the main character’s father is an obsessive Philadelphia Eagles fan.
The best novels create daunting challenges for the main character and this movie does that from the start. Pat Solitano, played by Bradley Cooper, is released from an eight-month, court-ordered stay in a psychiatric facility as the movie begins. He suffers from bipolar disorder and lovesickness as he is obsessed with getting back together with his ex-wife, Nikki, who has obtained a restraining order against him. As if that’s not enough, his father, played by Robert DeNiro, has just been laid off from his job and is pursuing a new career as a bookie to finance a new restaurant. And the father shows signs of obsessive compulsive disorder.
Adapted from a 2008 novel by Matthew Quick, Silver Linings Playbook is at times absurdly funny and at other times dark and uncomfortable for the viewer. In his hopeless quest to reunite with his wife, Pat accepts a dinner invitation from his best friend, knowing his friend’s wife is still in contact with his ex-wife. There he meets Tiffany (Jennifer Lawrence), who also suffers from bipolar disorder, and they bond over a conversation about the prescription drugs they’ve been given. Their relationship develops when Pat asks Tiffany to deliver a letter to his ex-wife, and Tiffany agrees, on the condition that she can train Pat to be her dance partner in a local competition.
From there, Pat and Tiffany ride a roller coaster of highs and lows as the viewer hangs on, all the time rooting for them to fall in love. I won’t spoil it be describing the rest of the plot.
Unlike the manufactured story lines that come out of Hollywood these days, the humor and darkness in this movie comes from a real place. It is a place that features the realities of modern life: lost jobs and pensions, family tensions, and mental disorders, and, love and redemption, too. It also features real complications, not clichés. And the acting is first-rate. In addition to Cooper, Lawrence and DeNiro, Jacki Weaver is brilliant as Pat’s mom, Dolores.
This movie was a sleeper, but I am glad it’s been recognized with several Academy Award nominations. If you’re a writer, see this movie. You won’t be disappointed.
Do you view movies in terms of whether they would make a good novel?