Monthly Archives: November 2017

The Value of a Writer’s Retreat

WU Writers RetreatI returned on Nov. 14 from a six-day writer’s retreat with 15 close friends and colleagues from the online Writer Unboxed writer’s community. Here’s what we accomplished:

Total words written: 126,205
Screenplay drafts: 1
Revised short stories: 4
Poems written: 13
Book Manuscripts Completed: 2

The numbers don’t begin to tell the story. It’s difficult to describe the magic that happens when a writer is united with a supportive group of colleagues infused with a common purpose.

But, first, let me describe the setting. The retreat took place at the When Words Count retreat center, a restored farmhouse built in 1809. The sprawling house is perfect for a retreat, with many writing spaces and cozy nooks perfect for writing. There are 16 acres of rolling hills and farmland surrounding the house.

Our days were unstructured, except for breaks each day for breakfast, lunch, and dinner, served onsite. What we accomplished was completely up to each of us. Many of us rose early in the morning (okay, some earlier than me) and began writing well before the 9:30 a.m. community breakfast. During the afternoons, after a rigorous six or so hours of writing, some writers took walks to enjoy the breathtaking views of the farmland and the mountains in the distance. At 5:30 there was a cocktail hour, when we could unwind and discuss writing challenges, family life, or anything else that came to mind. A few hearty souls even wrote well into the night, but most of us called it a day at dinner.

After dinner, the conversation was free form and relaxing. One evening, we had a sing along with the renowned Sean Walsh, husband of Writer Unboxed co-founder Therese Walsh, leading us on acoustic guitar. Sean was in fine voice, as usual, and the rest of us did the best we could. It was just the tonic we needed after a day spent in intense concentration.

If you are weighing whether to attend a writer’s retreat, I can say from experience it is worthwhile. It will jumpstart your work-in-progress and you will make new friends and colleagues. Here are some tips for maximizing your retreat experience:

–If possible, arrange to attend with writing colleagues. I’ve never attended a retreat with complete strangers, but the advantage of writing with friends is that you have already formed a bond and can discuss a variety of writing challenges in a candid fashion.

–Check out the retreat space in advance. If it is close enough to where you live, take a trip there. Ask for a tour. Make sure there is ample space for writing. During my last retreat in 2015, I had a positive experience, but the writing space consisted of a large dining room table, where the 10 writers were cramped. There was a smaller table on the second floor where some writers worked, which relieved the crowding. Look for a place with plenty of light and lots of room to write.

–Have a plan and goals going into the retreat. This is the most important tip. If you are working on a first draft, set a goal of finishing the draft. Even if it’s a stretch goal, it will give you something to work toward. Six days is a long time. It’s a rare gift to have a dedicated chunk of time. You must take advantage of this gift.

My goal was to finish the latest draft of my work-in-progress, A Prayer for Maura, and then begin building and editing the manuscript, which was contained in separate chapter documents. I worked feverishly during the weeks leading up to the retreat to get as close to the finish line as I could. On Friday morning, the second full day of the retreat, I finished and then began the tedious work of putting together and editing the manuscript. I finished a few days later, cutting an unwieldy 114,000 words and 46 Chapters to 92,000 words and 21 Chapters. It’s amazing what one can achieve with a block of uninterrupted time.

I am so thankful to my Writer Unboxed colleagues for sharing their experience s, love and support with me. Special thanks go to Amy Rachiele for organizing the retreat, to my roommate, Brian B. King for putting up with me, and to Therese Walsh for creating and leading such a nurturing writer’s community.

Have you attended a writer’s retreat? What advice do you have for others considering a retreat?

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What Happens to NaNoWriMo Novels?

A recent article in Publishers Weekly discussed why the National Novel Writing Month (NaNoWriMo) program is a boon not only to writers, but to publishers as well. Now in its 18th year, NaNoWriMo is a non-profit organization whose mission is to “provide the structure, community, and encouragement to help people find their voices, achieve creative goals, and build new worlds—on and off the page.”

Writers who enter its contest each year commit to writing a 50,000-word novel in 30 days, from Nov 1 through 30. That is 1,667 words per day every day for 30 days. Some 350,000 writers joined the annual writing marathon this year. That means there will be a lot of first drafts of novels floating around on Dec, 1. So what happens to all of those novels?

A total of 449 traditionally published novels began as NaNoWriMo projects, wrote Jason Boog, who penned the article entitled, “NaNoWriMo is Big for Writers and It Helps Publishers, Too.” This number only includes those reported on the NaNoWriMo website, where authors can fill in a form stating their book was published. Some 80 of those books were published by Big Five publishers.

That figure is most likely conservative. And it doesn’t include self-published books that began as NaNoWriMo projects.

Publishers like the program because it encourages writing and writers’ communities, the article stated. “It’s been wonderful for the publishing industry,” said Laura Apperson, an editor at St. Martin’s Press. Three St. Martin’s novels began as NaNoWriMo projects: Lydia Netzer’s Shine Shine Shine, Rainbow Rowell’s Fangirl, and Nora Zelevansky’s Semi-Charmed Life.”

Author Scott Reintgen, quoted in the article, obtained an agent for his NaNoWriMo novel. He had this to say: “You’re building muscles and you’re leveling up and you’re getting better with every single word you put on the page. That’s what being a writer is all about.”

Having “won” NaNoWriMo three times, my view is that it provides an intensive challenge to writers, forcing discipline and focus. It’s as much about the habits writers develop as it is about producing those 50,000 words. It’s serious business, like a boot camp for writers. And it creates and fosters writing communities. I joined the regional NaNo community in my region and it is a highly supportive and friendly group of writers.

My current work-in-progress, now at 106,000 words, started as a NaNoWriMo novel. It’s been through numerous rewrites and story changes since that time, bot NaNoWriMo was the impetus for its creation.

NaNoWriMo has its critics. Some say it encourages and re-enforces bad writing techniques in the quest for volume over quality. That may be the case, but only if writers don’t treat their work as a first draft in need of heavy revision.

I won’t be entering NaNoWriMo this year, but to all my colleagues who are, I will be thinking about you and rooting you on.

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