Tag Archives: e-publishing

The Decision to Self-publish: A Terrifying Leap

The blogosphere is rife with essays about the war between traditional and self-publishers and the internecine feud among self-publishers, who belittle other writers and publishers alike. Everybody is mad at someone. Public venting may make some people feel better, but it demeans us all.

I left a comment on one of these posts stating those who say self-published writers have a choice is a little like saying I chose the over-40 basketball league at the local gym over the NBA. The NBA wasn’t offering a contract, even when I was 21-years-old and in peak physical condition. Upon further reflection, this comment missed the mark.

Most self-published authors have four basic choices:

Option 1: Keep pitching your book to agents, knowing each rejection chips away at your self-confidence.

Option 2: Work hard to improve your manuscript and then renew your efforts to pitch your work to agents.

Option 3: Consider self-publishing on Amazon, Barnes & Noble or the other popular e-book platforms.

Option 4: Abandon your novel and move on to a new project.

Most writers pursue Options 1 and 2 with vigor, but as time stretches from months to years without success, they move from Option 2 to Option 3. Having been through that thought process, I found the self-publishing option terrifying to me. It’s like the feeling I got the first time I dove off the high diving board. Don’t look down. Take a deep breath and just do it. The idea that my work would be out there for anyone to criticize was scary enough. The stigma associated with self-publishing (though that is changing) also gave me pause. The lack of a strong platform was an equally daunting thought.

I agonized over my decision. If you are facing a similar decision, here are some considerations:

Age. For an older writer, the self-publishing option may be appealing because time is not on your side. If I was 20 years younger (or even 10 years younger), I would be willing to wait up to 10 years to secure an agent and a publishing contract. As a writer in my mid-50’s, I don’t have time to wait. I want to write more novels. I may decide to shop these novels to an agent, depending on the marketability of the story and the quality of the writing. Or I may self-publish.

Genre. If you are writing Young Adult, Science Fiction, Romance, or Mystery, and you have a strong manuscript, you have a shot at publication. It’s a long shot, but an agent is going to pay attention to a strong pitch followed by an engaging sample. If you write family sagas like me, the odds are really against you.

Skill level. Some writers are ready for prime time, but maybe their book is the wrong vehicle or it doesn’t showcase their talents. These writers should keep at it and try to get published. Novice writers shouldn’t pursue traditional or self-publishing until they have honed their craft.

Tolerance for rejection. Writers must have a thick skin. Simply put, if you have no tolerance for rejection, traditional publishing may not be for you. However, that doesn’t mean you can take short-cuts in your desire to self-publish your book. Self-published books require the same level of editing, proofreading, outside review and due diligence as traditionally published books, if not more.

Marketing platform. Some self-published authors are not great writers, but they sell tons of books because they are expert marketers. Social media guru Jane Friedman has cautioned self-published writers not to publish their books until they have built a substantial platform. This calls to mind the axiom, “If a tree falls in the woods and there’s nobody around to hear it, does it make a sound?” A writer with a strong platform and lots of followers on social media is in a good position to self-publish.

Productivity/staying power. Are you a one-trick pony or do you have many novels in you? A lot of people wonder how Amanda Hocking achieved her astounding success at self-publishing. She worked extremely hard, pumping out novel after novel. She was prolific at writing and platform-building. Writers must ask: am I in this for the long haul? Am I willing to put my heart and soul into this? (Sorry, I must have turned off the cliche-checker today).

Self-publishing is a choice, but it is far from an easy one.

What considerations do you weigh when you are thinking about self-publishing?

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An Editing Checklist

Beginning writers tend to underestimate the time and effort required to edit and revise their novels. I know I did. When a writer finishes that first draft, he might think the finish line is within sight. In reality, he isn’t even close to finishing the race. With that in mind, here’s a handy checklist:

  • Write your book. Keep in mind it’s a first draft. You don’t need to strive for perfection. Get the story down.
  • Put it aside for four to six weeks and work on a new project.
  • Do a self-edit and make revisions. Pay attention to inconsistencies in the story, characters. Focus on the theme. How well have you developed the theme? Is it too obvious or does it come out through the story, setting and the characters?
  • Check your revisions. Do a read-through as a reader.
  • Give your work-in-progress to a trusted critic. Your critic should be someone who recognizes quality fiction and can offer an objective, independent critique. Better yet, give it to a couple of critics.
  • Make revisions based on the critiques, but remember, you are the final arbiter. You know your story and your characters better than anyone else. If every critic wants you to change something and it doesn’t feel right to you, the final decision is yours.
  • Hire a professional book editor and a proofreader, if resources allow.
  • Evaluate the recommendations of your editor and revise accordingly.
  • Do a final read-through with a hyper-critical eye.
  • Start on your query letter.

How long does the editing process take? It depends on a number of factors, including the availability and willingness of outside critics to review various drafts. And they must be willing to adhere to some sort of timetable. This is where it gets dicey—asking others to sacrifice their time to serve your interests.

The writer must be willing to invest his own time and resources during the editing process. I did seven line edits of my first novel. Each round of line editing took six to eight hours. It can be exhausting, especially when you’ve edited your book four or five times already. The writer must be willing to put in the effort.

I actually enjoy editing almost as much as writing, but I’m weird that way.

If you don’t have access to a writers’ group or a trusted critic, there are online critique sites. Most require the writer to edit the work of others before the writer is able to submit his own work. If you have the resources, you can take your work directly to a book editor, but make sure you have thoroughly edited it first. Book editors charge by the hour and writers shouldn’t spend their money paying someone else to catch errors they should have caught.

Some writers who have the resources hire both an editor and a proofreader. It’s difficult for an editor to concentrate on story and characters and on proofreading at the same time. It’s a good investment if you can afford it.

With the growing popularity of self-publishing, it’s incumbent on authors to make every effort to make sure their novel is as polished as it can be before publishing it.

What is your editing process? Do you use a book editor? What are the qualities of a good book editor?

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