Tag Archives: Janice Hardy

How Many Characters Do You Need?

Like the bromide about too many cooks, an overabundance of characters can spoil the novel. How many characters is too many? Well, like a lot of questions about writing, it depends. The type of story, the genre, the plot, can all affect how many characters show up in a novel. An epic like the Harry Potter series has a castle full of characters. A “quiet” novel that explores interpersonal relationships may have only a few.

I came across a helpful exercise by Janice Hardy in a June 2013 blog post.

Hardy’s exercise goes like this: Take a sheet of paper. Make two boxes in the middle, equally spaced apart. Write the name of the protagonist in one box and the name of the antagonist in the other. Write the names of other characters below the protagonist and above the antagonist, depending on which characters are connected to with character. Next, draw a solid line if the character is directly connected to the protagonist or the antagonist and a dotted line if indirectly connected. Finally, draw lines between the characters who are directly or indirectly related to each other.

“If you had a hard time finding room for all your boxes, that’s a red flag you might have too many characters,” she wrote. “Same if you have a lot of characters who have zero connections to your protagonist, but connections to other characters in the book. Lots of people with dotted lines to one person could be ones you can combine (like those extra thugs).”

The real value of this exercise, Hardy writes, is that it “forces you to think about how the various characters are connected.”

It is also visual. If your paper is cluttered with boxes, you just might have too many characters.

There are two main problems with having an abundance of characters, blogger and author KM Weiland writes.

First, when there are too many characters, the reader may be unable to keep track of who is who. Second, a writer who introduces too many characters runs the risk of fragmenting the narrative.

Most of the posts I’ve read on this subject advise something like this: How many characters do you need? Just enough to tell the story. That doesn’t fully answer the question, though. The real test for me is whether each character fulfills a purpose, either large of small. For example, let’s say the main character does something stupid as a teen-ager and is arrested. The cop who makes the arrest serves one purpose. He doesn’t need to reappear, unless he decides to mentor the young man.

Every main character needs a supporting cast. This cast can be small or large. It may include the following: sidekicks, mentors, confidants, spouses, siblings, parents, teachers, co-workers, friends, enemies. You get the picture. The writer may not choose to include everyone on the list; she will choose carefully depending on the genre and the nature of the story.

A related question is how many Point of View (POV) characters should a novel include? Personally I have trouble keeping up with more than five or six POV characters, yet I’ve read stories with as many as nine and the writer was able to make the narrative work. However, it takes tremendous skill to juggle nine or 10 POV characters without diluting the narrative.

What about you? How many characters do you create for each story? How many is too many?

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