Tag Archives: writing a novel

Changing My Work Space

The place where a writer chooses to write is crucial to success. An ideal work space for writing must have four things. It must be free of distraction, quiet, comfortable, and isolated.

I recently changed my work space. My previous work space was located in our finished basement on the other side of the family room. It was fairly isolated, but there was no wall between the family room and the place where I wrote. This never posed a huge problem. I usually selected a time to write when nobody was in the family room.

That has become more difficult, so I recently moved to a separate room in the house and set up my laptop there. It affords more seclusion and I can write whenever I want.

Where you write is a matter of personal taste and preference. JK Rowling famously wrote much of the early Harry Potter series in a crowded café because the only way she managed to get her young daughter to sleep was by going outside of her flat. She claimed the story that made the rounds that she wrote there because she lived in an unheated flat was bogus.

Stephen King, in his craft book, On Writing, discussed the writing room. “Your writing room doesn’t have to sport a Playboy Philosophy décor, and you don’t need an Early American rolltop in which to house your writing implements,” King wrote.

“The space can be humble (probably should be, as I think I have already suggested), and it needs only one thing: a door which you are willing to shut. The closed door is your way of telling the world and yourself that you mean business, you have made a serious commitment to write and intend to walk the walk as well as talk the talk.”

King maintained there should be no telephone, TV, videogames, or other distractions in your writing room, though he does admit he works to loud music—hard rock like AC/DC, Guns ‘n Roses and Metallica, to name a few of his favorites.

Since the writer is creating her own world, King likens it to creative sleep. “Like your bedroom, your writing room should be private, a place where you go to dream…In both writing and sleeping, we learn to be physically still at the same time we are encouraging our minds to unlock from the humdrum rational thinking of our daytime lives.”

I like to think of it as an intense concentration. When I sit down to write, I block out everything else. It takes a few minutes for me to get into the story. My mind has to be totally immersed in it. I always read over the last few pages of what I wrote in my previous session. That helps me to get into the right frame of mind. It’s difficult for people who don’t write fiction to understand the energy that goes into shifting into that mood of complete focus on your work. It’s not just a switch one can turn on and off. I realize I’ve digressed here but a writing space that is quiet and free of distraction is vital to the process of getting into the mood that King calls “creative sleep.”

What does your work space look like? Can you work with outside noise around you?

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Mega-popular Series: What Are the Secrets?

I just finished reading The Hunger Games trilogy by Suzanne Collins and it got me thinking. This was one of three wildly popular series, a group that also includes the Harry Potter books and Stieg Larsson’s Millennium trilogy. The Harry Potter books are the best-selling series in history and the Millennium and Hunger Games trilogies have sold tens of millions each.

Writers dream of writing a series like these and publishers crave them, but what made these books in particular succeed on such a large scale when other series have enjoyed just modest success? Was it the characters? The setting? The story? It was all of these factors and more. Here are my thoughts on why these three series achieved such staggering success:

Powerful premises. A young boy who is treated cruelly by his step-parents discovers one day he is a wizard—and not just any wizard, but The Chosen One. A young girl who is abused as a child ends up in a psychiatric hospital, left to suffer more abuse, until one day a guardian ad litem takes up her case. Another teen-age girl volunteers for the hunger games, facing almost certain death, to spare her younger sister the same fate. How could one not want to delve into such books?

Main characters who rise above bleak, harrowing circumstances and overcome incredible odds. Harry Potter must face the most powerful evil wizard, Lord Voldemort. Katniss Everdeen must defeat 23 rivals, including a possible lover. Mikael Blomqvist and Lisbeth Salander (never could figure out which one was the main character) must surmount destroyed reputations and organized crime syndicates backed by a secret state police.

Highly imaginative and detailed settings. Hogwarts is described in wonderful, minute detail, a beautiful and scary place. There is nothing beautiful about the nation of Panem in the Hunger Games. Sweden is a real place, but the land described by Larsson doesn’t fit the tired stereotypes of a place featuring gorgeous blonde women, and people buying Ikea furniture and driving Volvos.

Complex and intriguing stories with ever-changing plot lines and growing stakes. Each series features stakes that are (paraphrasing the words of Donald Maass from his book, Writing the Breakout Novel) both personal and public. Public stakes impact large groups of people, nations or the entire world. Personal stakes impact one or more characters, but they are profound enough that the reader cares deeply what happens to the character.

Empathy. All three authors create a sense of empathy in their characters. Didn’t you feel like you knew Harry, Ron and Hermione intimately by the end of the Harry Potter series? Readers badly wanted to see Lisbeth and Katniss survive and thrive.

Themes that matter. Overcoming abuse and neglect, starvation, exploitation of women, violence against women—these three series cover important themes. These authors dealt with big subjects within the context of page-turning stories.

Extraordinarily gifted authors. J.K. Rowling is a story-teller almost without peer. Larsson was a renowned journalist in Sweden who managed to write three novels while working fulltime for a cutting-edge magazine and Collins was an established author even before she wrote her series.

These three authors have given the rest of us a dream to which to aspire. It’s not about the riches their books have generated. It’s about the work itself. Its popularity speaks for itself.

Why do you think these series have succeeded on such a large scale?

 

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